![]() Simplify your multi-camera productions by running up to four cameras per Ki Pro Ultra 12G and save power, space, time and effort on set, in the studio and when setting up OB trucks. Record 1, 2, 3 or 4-Channels of beautiful HD up to 1080p 50/60 in Apple ProRes simultaneously with Ki Pro Ultra 12G – without the need to genlock the sources. New v2.0 firmware adds the ability to record genlock free sources with frame sync support on inputs.ĭesigned to be either portable or rackmountable with half rack wide, 2RU high dimensions, Ki Pro Ultra 12G is well suited for use in any environment. ![]() For distance and remote needs, 12G and 3G Fiber SFP+ options are available. Ki Pro Ultra 12G offers 12G-SDI single cable simplicity for large rasters up to full 4K, (the 4x 3G-SDI inputs/outputs can be used for Quad Link operations as required) and HDMI 2.0 digital video connectivity with HDR support for both recording and playback.Ī wealth of analog and digital audio connectivity answers any project’s demand for efficient, powerful and flexible workflows. Avid DNxHD® MXF is also supported up to HD formats in Single-Channel mode. Ki Pro Ultra 12G is a multi-channel Apple ProRes® recorder offering up to 4-Channels of simultaneous HD recording, or in Single-Channel mode, a 4K/UltraHD/2K/HD Apple ProRes or Avid DNxHR® recorder and player. The graphics system is equally impressive - The system stores 90+ images in its internal, non-volatile memory. There are 10 layouts stored in each preset, so the user recalls the show’s preset and can then switch between those 10 layouts at will. Layouts are stored in one of the 20 Presets, allowing users to recall all of the parameters needed for a specific purpose. The system can accurately switch from one layout to another frame, allowing the user to “cut” between layouts during a streaming session. In this way, the graphic can be keyed over the dual PiP images, which are “over” a flat matte background. The system also has an internal matte generator, which can be used as the background. Effectively, each live video source can be used in its picture-in-picture (PiP) element. In addition to the layering engine, both the SDI and the HDMI layers can be arbitrarily downscaled and positioned anywhere in the frame. The layout can have up to 3 layers, and their priority can be arbitrarily adjusted to suit the customer’s needs. A layout enables the user to combine the SDI input and the HDMI input into a single output stream and then add a graphic (video + key) into that composite. QuickTime and MP4 cameras, DSLRs, and phones.Burn-in timecode, metadata, custom text and imagesĮditReady automatically parses camera media and metadata and converts to high quality edit formats so you can get to work fast.Resize, rotate, retime, trim in and out points, and apply color changing LUTs.Designed to ensure you get the best quality output for your source media without confusing settings.Rewrap or transcode media into edit-optimized masters and proxies.Fast, simple transcoding for dailies, editorial, and delivery.Įasy, Fast and Powerful Transcoding for Video Professionals.HELO Plus brings the exciting layouts feature, allowing multiple inputs to be combined into a single screen with a graphic element overlay. Output QuickTime movies for Adobe Premiere Pro and Apple Final Cut Pro, FCPX, and iMovie. Write DNxHD/HR OPAtom or OP1a MXFs for Avid Media Composer. ![]() Use the overlay editor to layout custom overlays to be composited on top of your video. Import images with alpha channels to apply complex bugs or watermarks. Layout custom formatted text, including metadata values from the source media. ![]() Use the overlay tool to burn-in timecode, reelnames, shoot dates, media names, etc.ĮditReady is designed to use all the power available on a modern Mac. It can even leverage the power of your graphics card for fast image processing.ĮditReady allows you to view and edit all of the metadata contained within your file - this may include location data, camera settings, and diagnostic information. You can even use metadata to automatically rename files, or burn it into overlays.ĮditReady allows you to screen your camera original media files before you transcode them.
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